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    Liam Griffin

    3D ENVIRONMENT / ASSET MODELLER

    3D Modelling

    All 3D models were made using 3ds Max with some animations applied. Concepts come from viewing real world objects and created objects from imagery of blueprints.

    [Click on images to view in pop-up and for more description]

    Fish Monster

    Human Template
    Human Template
    Standard human template created with 21,102 polys to be used as the base structure of the model.
    Wireframe template
    Wireframe template
    Wireframe view of the human template
    Fish Monster high poly z brush front
    Fish Monster high poly z brush front
    Front view of the high poly model of the Fish Monster. Details constructed from the human template in Z Brush.
    Fish Monster high poly z brush side
    Fish Monster high poly z brush side
    Side view of high poly Fish Monster.
    Fish Monster high poly z brush back
    Fish Monster high poly z brush back
    Back view of high poly Fish Monster.
    Fish Monster high poly z brush perspective
    Fish Monster high poly z brush perspective
    The Fish Monster design is of a creature that has adapted to its cave environment. As well as this the environment has also become one with its body, having barnacles and coral forming onto its body.
    Low poly high poly 3ds max
    Low poly high poly 3ds max
    Low poly model made of 9,933 polys equivalent to 19,045 triangles (left). High poly model (right) made up of 1,492,116 polys.
    Fish Monster high poly baked onto low poly
    Fish Monster high poly baked onto low poly
    High poly model details have been baked onto low poly model in Substance Painter to retain the low poly count as whilst keeping the defined look. This new process up to this point from the start of the project has taken a total of 20 hours to complete.
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    The Fish Monster project continues through to the environment stage in 2017. This model once rigged and textured will be animated using motion-capture in a created cave environment. The related images shows the model being created using industry process and retains a triangle count less than 20,000 to be used in-game.

    Human Template
    Human Template
    Standard human template created with 21,102 polys to be used as the base structure of the model.
    Wireframe template
    Wireframe template
    Wireframe view of the human template
    Low Poly (Left) High Poly (Right)
    Low Poly (Left) High Poly (Right)
    High poly - 16,201,744 polygons
    Low Poly - 4,854 polygons
    Detail model - ZBrush
    Detail model - ZBrush
    Skaarj variant is a commander with war damage including armor and weapons to compensate. Such as the visual aid head piece and the blade on the left arm.
    Sub tools - ZBrush
    Sub tools - ZBrush
    The following sub tools that build up to the high poly model.
    Texturing in Substance Painter
    Texturing in Substance Painter
    High poly texture is baked onto Low poly model with the shown altered materials applied.
    Character material - Unreal 4
    Character material - Unreal 4
    Textures applied to a material in the Unreal 4 material editor.
    Pespective - Unreal 4
    Pespective - Unreal 4
    Textures combined to a material and applied to the character model.
    Front - Unreal 4
    Front - Unreal 4
    Textures combined to a material and applied to the character model.
    Side - Unreal 4
    Side - Unreal 4
    Textures combined to a material and applied to the character model.
    Back - Unreal 4
    Back - Unreal 4
    Textures combined to a material and applied to the character model.
    Top - Unreal 4
    Top - Unreal 4
    Textures combined to a material and applied to the character model.
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    Skaarj Variant

    Following the Skaarj concept art from Unreal tournament, this game ready character is less than 10,000 polygons. The character was created in a timeline of two weeks as a work contribution towards the Rising Star 3D artist competition, second round.

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    The creation process was done using my made standard human template model and implemented through the following software in the order they were used:

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    • ZBrush - High poly sculpt

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    • 3ds Max - Low poly build

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    • Substance Painter - Baking and texturing

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    • Unreal Engine 4 - Material applied.

    Environment assets (Fish Monster scene)

    All models to be used in a real time environment. Assets were made in the process of high poly sculpting in ZBrush, creating a low poly version in 3ds Max and baking and applying the textures in Substance Painter.

    Moss covered rock
    Moss covered rock
    Rock texture used from altering Substance Painter preset materials, moss material obtained from Substance Share. Rock model was made in order to positioned at different angles and appear to like a different environment asset. The model has multiple position uses in an environment.
    Spear Weapon
    Spear Weapon
    Model size in relation to character use.
    Skull
    Skull
    Substance Painter bone material applied. Detail of cracks were made from baking a detailed high poly version onto a low poly model.
    Damaged Skull
    Damaged Skull
    Variant from original skull in which the jaw bone is missing as well as the skull concave.
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    Cartoon dinosaur

    A cartoon style was followed by blueprints with the variations being of my own artistic touch.

     

    The idea was to have these variations being either powerups of the dinosaur or variations of the creature depending on its environment in the game.

    McLaren 650s Spider

    This car model was created by following images, blueprints and observing it at a car dealership. Animation is applied to wheels and camera to show off aspects of the car.

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    It was created using modelling techniques such as NURBS, mesh-editing, extruding and lofting. (View slide for image and video)

    Cartoon Dino
    Cartoon Dino
    Cartoon Dino Variations
    Cartoon Dino Variations
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    Raptor Head
    Raptor Head
    Raptor
    Raptor
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    SpaceMan - Full body
    SpaceMan - Full body
    SpaceMan - Front
    SpaceMan - Front
    SpaceMan - Closeup
    SpaceMan - Closeup
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    House

    Created as a generic example house to be used in a VBS3 terrain, this house can be entered with interactive doors. It also has a RoadWay LOD built to allow the player in VBS3 to walk up the stairs and navigate the upper floor.

     

    Constructed in 3ds Max, textured and rigged in Oxygen 2, and exported for use in VBS3.

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    Poly-count: 3,458    Tri-count: 8,027

    SpaceMan

    Created from my own design, the model is going to be applied as a character in a space themed game.

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    For now it remains in a T-Pose with the skeleton rigged to the skin.

    Realistic dinosaur

    This study of dinosaurs followed a more realistic blueprint. The process consisted of modelling each intricate limb in different stages to then apply to the body.

    Slime Enemies

    These two slime enemies have been modelled by my own design and used in one of the created games. Each enemy animation was rendered on a spritesheet to place into the 2D platformer.

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    Both enemies follows the same 'jelly' theme but have their own unique animations. The pink moving left and right with the green jumping up and down.

    Front Close
    Front Close
    Perspective
    Perspective
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    Raptor Head
    Raptor Head
    Raptor
    Raptor
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    LG

    © 2019 by LG.   View my LinkedIn

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